2011 Burgundies Tasted from Bottle -- Part I
An (Unjustly) Forgotten
Vintage
2011s
are currently on the shelves, yet not attracting much interest, according to my
sources in the retail trade. In both red and white, there are very good to
outstanding wines here, provided one takes care in selecting better producers.
And in some cases, particularly around Vosne-Romanée and Chambolle-Musigny, one
can find wines that I believe will be great. I think the mediocre reputation of
the vintage is due to a variety of factors:
1.
2011 followed upon 2010, a highly-regarded vintage. Think 1991, 2006, and
perhaps 2010 in this regard. Moreover, unlike those vintages
previously-mentioned, the 2012 vintage that succeeded it has also achieved
favorable press.
2.
2011 was not an easy vintage to do, and results depended highly on work in the
vineyards, choice of picking dates, and other factors that reflect the
meticulousness of the producer. As a result, it is easy to write the vintage
off unjustly based on an insufficient sampling of wines, especially if the
sampling does not include wines from top producers in each appellation. Think
1993, 1998, 2001, and 2008, among others, in this regard (although overall, I
hold all of those vintages in higher esteem than 2011).
3.
The third, and possibly most significant, reason is complex to explain. To
begin, we have to go back to the 2004 vintage. Some, but not all, winedrinkers
found a large portion of 2004 reds undrinkable upon release. It soon became
apparent that the reason that many found the wines undrinkable was pyrazines in
the wines, and sensitivity to the pyrazines varied greatly from one individual
to another (with time, the pyrazines seem to be fading away). There are various
theories of how the pyrazines got into the wines, but one is that there were ladybugs present at harvest; the ladybugs naturally contain pyrazines and
so when crushed with the grapes, they added their pyrazines to the wines in
2004. Bill Nanson of burgundy-report.com is, I believe, responsible for this
theory, which is rejected by many, but not all, Burgundians. While working the
harvest in 2011, Bill spotted the ladybugs again, and accordingly was
suspicious of the vintage from the outset, and he so indicated on his website
and elsewhere. Assuming for the moment that Bill’s theory is correct,
nevertheless, there were far more and better sorting machines in place at many
top domaines in 2011 than in 2004, and so there would be less reason to expect
pyrazines in 2011s than in 2004s. In fact, all but those most sensitive to
pyrazines have not found pyrazines to be problematic when tasting 2011s, but the
reputation is still there.
In
short, this is a vintage with plenty of wines worthy of your attention,
especially as some get discounted to make room for the 2012s. Think of it as
2007 with better quality (and many 2007s are drinking extremely well right
now). Aging potential seems to be medium, and the wines, at least for the
moment, provide plenty of pleasure (it’s difficult to predict if and when they
will close down). One can also anticipate that these will be wines can be drunk
while allowing 2012s, 2010s, and 2009s to age. One drawback of the vintage,
other than for the estates that were exceptionally successful, is that the
wines are not strong on showing their respective terroir.
More details about the conditions of the vintage and how producers handled it were in the print edition of The Fine Wine Review that provided reviews of the wines from cask tasted in October and November 2012.
Talking
about whether you should pay attention to this vintage raises one of my pet
peeves, so let me state my position once again. It may be that in the past,
there were vintages that were across the board failures. For the last
twenty-five to thirty years, at least, that has not been the case because
producers have the means, both technically and financially, to wait for
sufficient ripeness, to eliminate what is bad, and to make something decent out
of what is left. Not all producers will be able to do so successfully in a
given vintage, but most first-rate producers will. As a result, it does not
make sense to rank vintages hierarchically, but rather to think of them in
terms of individual style and characteristics.
Link to Part II of this review;
link to Part III of this review;
link to Part IV of this review;
link to Part V of this review.
Link to Part II of this review;
link to Part III of this review;
link to Part IV of this review;
link to Part V of this review.
Marquis
d’ANGERVILLE
2011 Volnay 1er Cru Fremiets 91/A-
2011 Volnay 1er Cru Champans 91/A-
2011 Volnay 1er Cru Taillepieds 92(+)/A
2011 Volnay 1er Cru Clos des Ducs 93/A
D’Angerville’s
Volnay-Fremiets
is classic Fremiets: light and firm with red fruits (mostly pomegranate). The Volnay-Champans
also is true to type: fleshy, smooth, and red-fruited. The body is
medium-light. The Volnay-Taillepieds is darker with a smooth but firm texture and
more focus than the two previous wines. It, too, is medium-light in weight.
Last, the Volnay-Clos des Ducs is dense and structured with finesse and
length. As usual, expect this wine to take plenty of time to reach its
maturity.
BALLOT-MILLOT
2011 Pommard 1er Cru Pézerolles 90/B+
This
Pommard-Pézerolles
is smooth, round, and medium-light with dark fruit and some red, but it
lacks the focus and energy of a still better wine.
BONNEAU-DU-MARTRAY
2011
Corton-Charlemagne 93+/A-
2011 Corton (r) 95/A
The Corton-Charlemagne has hazelnut
aromas and flavors and is oily and medium-weight. All in all, a very pleasing
wine. Some other vintages show more structure, though, so I’d be inclined to
drink this wine on the younger side. The red Corton is dense and
intense with good freshness, chalkiness, tannins, austerity, and an overall
chisled effect. Contrary to the white, this is a wine I would hold for some time,
but I think it will be outstanding because of its outstanding balance. I’d look
to 2026-2061 for best drinking.
Simon
BIZE & Fils
2011
Savigny-les-Beaune (w) 91/A
2011
Savigny-les-Beaune les
bourgeot (r) 91/A
2011
Savigny-les-Beaune 1er
Cru Les Fourneaux 92/A
2011
Savigny-les-Beaune 1er
Cru Aux Vergelesses 93/A
All
of the wines here are superb values, but the regional and village wines in both
colors present special opportunities for those who want to experience the magic
of Burgundy on a modest budget. The white Savigny is pure and dense with some
nuttiness to it.
In
red, the Savigny, Bourgeot is fresh, dark, and pure with outstanding
energy. The Savigny-Fourneaux is fresh, pure, dense, energetic, and mineral
with some roundness. Last, the Savigny-Vergelesses is dark, pure,
dense, and fresh with a bit of mustard seed and licorice.
BOUCHARD
Père & Fils
2011 Beaune 1er Cru Grèves vigne de l’enfant jésus 93/A
2011
Nuits-Saint-Georges 1er
Cru Les Cailles 92/A
2011 Meursault 1er Cru Les Genevrières 94/A
2011
Corton-Charlemagne 92+/B+
Bouchard’s Beaune-Grèves, vigne de l’enfant
Jésus shows dark berry fruit with finesse, medium weight, and good
depth. While not the best of recent Enfant Jésus from Bouchard, it is quite a
bit more than just honorable. The Nuits-Cailles has dark fruits with
good density, smoothness, and roundness.
The Meursault-Genevrières is intense,
pure, deep, and complex with Genevrières lime flavors. It is a lovely wine already.
The Corton-Charlemagne
is less concentrated than the Genevrières and lacks some tension, although it
shows good depth and minerality. I’d give this wine a few years in the bottle
to develop.
Réyanne
et Pascal BOULEY
2011
Monthélie aux
fourneaux 90/A
2011 Monthélie 1er Cru Les Clous 89/B
2011 Volnay 89/A-
2011 Pommard 88/B+
2011 Volnay 1er Cru Robardelles 91+/A-
2011 Volnay 1er Cru Ronceret 89/B
2011 Volnay 1er Cru Santenots 92/A
2011 Volnay 1er Cru Clos des Chênes 92/A
2011 Volnay 1er Cru Champans 92/A
Bouley’s Monthélie, Fourneaux is
from vines (some 20 years-old, others 60 years-old) downslope from the
Monthélie-Clous vineyard. The wine is light, pure, and elegant with dark fruit
and great freshness. I’d consume it over then next 17+ years. The Monthélie-Clous
is from vines about 35 years old. The wine is round with dark fruit, but does
not show as much depth or charm as the village wine. It is very fresh, though,
and displays some tannin. I’d drink 2018-2041. The Volnay is very fresh with
dark, crystalline fruit and round tannins. This wine is not complex, but it is
charming. I’d look to 2020-2041 for prime drinking. The Pommard displays finesse
for a Pommard with translucent red fruits. The rather civilized tannins give
the wine good lift. But the wine lacks complexity. I’d drink between 2021 and
2045. The Volnay-Robardelles shows more substance and is fresh and
crystalline with dark berry fruit and round tannins. I’d expect 2012-2046 for
peak drinking. Bouley’s Volnay-Ronceret is fresh, dark,
crystalline, and translucent without perpahs quite the depth of the
Robardelles. I’d expect 2021-2036 to be the peak drinking period. Bouley’s Volnay-Santenots
is fresh and complex with dark fruits that are translucent. There is good length
here, medium-weight, some tannins, and greater intensity than in the foregoing
wines. I’d look to 2023-2051 for peak drinking. The Volnay-Grands Champs is lighter
and simpler than the Santenots with dark fruit, freshness, and round tannins.
I’d expect 2018-2038 to be the peak drinking window. The Volnay-Clos des Chênes is
more tannic than the foregoing with typical Clos des Chênes airiness, purity,
and stoniness. The wine is relatively closed for the moment, but promising. I’d
suggest 2025-2055 for best drinking. Last, the Volnay-Champans is
tannic, fleshy, dark, very fresh, crystalline, airy, and mineral with a
medium-light body. It is perhaps not as powerful as Champans often is, but
still very attractive. I’d expect 2025-2055 to be the peak drinking period.
Christophe BUISSON
2011 Bourgogne-Pinot Noir 87/A-
2011 Saint-Romain sous le château 91/A
2011 Saint-Romain sous le château (w) 90/A
Christophe Buisson is making glorious
wines, the type that really show what he is as a producer because he coaxes so
much quality from such appellations that are at the lower end of the Burgundy
hierarchy. The Bourgogne-Pinot Noir is not complex, but otherwise displays
everything one could want from red Burgundy. It is floral and fragrant in the
nose. The mouth is light, but in no way dilute, with red fruits, a silky
texture, and just enough tannin to assure aging capacity for well over a
decade. Excellent balance here. Lot L BPN11. 12.5% stated alcohol. The Saint-Romain
“Sous le Château” is immensely seductive for the red berries in the
nose and mouth and the ample yet silky texture. Tannins are fully round and
you’ll have no need to wait for this wine to come around. The vineyard is
likely to become a premier cru in
short order, and wines such as this are strong arguments in favor of that
change. Lot L SRSC 11. 13% stated alcohol.
The white Saint-Romain “Sous le Château” is
pure pleasure with minerality, a hint of nuttiness, and green apple fruit in a
medium-weight body enlivened by excellent acidity. Lot L SBSC 11. 13% stated alcohol.
Alain
BURGUET
2011
Gevrey-Chambertin symphonie 91+/A
2011
Gevrey-Chambertin mes favorites vieilles vignes 91(+)/A
2011 Gevrey-Chambertin 1er Cru Champeaux 93/A
2011
Vosne-Romanée 1er
Cru Rouges du Dessus 91(+)/A-
Burguet’s wines often
seem expensive compared to other wines from the same vineyards but different
producers, but his wines deliver quality that alleviates concerns about the
expense. The Gevrey, Symphonie is a blend of different vineyards. The fruit
is dark and the wine shows some roundness without being too firm or heavy. The Gevrey,
Favorites is dark and tannic but smoother than the preceding wine, and
also more closed. The Gevrey-Champeaux is earthy and
denser than the two village wines, and also more penetrating with smoothness
and a femininity within the context of Gevrey wines. Last, the Vosne-Rouges
du Dessus is redder in its fruit than the three Gevreys. It is smooth
with powdered aspects to its flavors, but it is still quite closed.
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